He has not yet turned 20 and is already emerging as a future star of the urban scene, with the support of key figures in the success of the genre such as the producer Alizz."
Despite her young age, Judrine "always made it clear that she was going to be a singer" and prepared for the future "since she was a child". The support was a "sign" that the time to "make music a daily routine" was approaching. To this day, she giddily recalls the "madness" of personally meeting Aliz and C. Tangana in the studio and realizing that the beat was actually Idro's waste.
As one of her first individual titles, moving to Madrid was the right decision that 'changed her life'. The real reason for "singing for a living" was separate from the "going to art school" excuse she used to convince her parents of her. Her popularity on the scene, a modest but unstoppable rise, caused "the music to devour the investigation".
As one of his first singles titles, moving to Madrid was the right decision that 'changed his life'. The real reason for "singing for a living" was separate from the "going to art school" excuse she used to convince her parents of her. Her popularity on the scene, a modest but unstoppable rise, caused "the music to devour the investigation".
After such interesting singles as De Una Manera and Subtancia, most of her audience discovered her with De la luz (Sonido Muchacho), an EP released earlier this year. Even without "sticking" (with flying colors), the response was good. She confesses to having read that she is "undervalued" or that she does not have "the number she deserves", but that "little by little" they have discovered her and that those who do "process". She feels "proud not to be a viral artist".
Without seeming arrogant, she accepts naturally to be called the "New Rosalía". The direction she took was the right one after releasing a limited edition vinyl sword already on the Sonido Muchacho label alongside established Panorama projects like Rojuu, Carolina Durante, Sen Senra and Natalia Lacunza. In fact, it was the "very organic" way of moving artistically of these last two that convinced her to take the step.
It was a "fantasy" to obtain this first physical format, an album that "hangs in your living room like a painting". She revealed a rough release date for her debut album, as she "worked for over a year" and left "concept clues in some songs" but still needs "a good trap to finish it". Also, she aims to create an album. that she will be loved throughout the years and an album that people can be proud of even as she ages.
Judlin's immediate future: That's not to say she's stopped publishing, songs like In the Sky and the more recent The Exploded Eyelash serve a dual purpose. The first is very practical. "Do not forget anyone" its existence. He warns that "none of these singles" will be included, referring to both the two that came out after the ep and the one that stuck around until the LP existed.
But how does Judlin sound? Cadiz women feel comfortable "on the move", but they do not feel that they are doing "something urban per se". She's amused when Spotify adds her to their famous Radar Indie playlist. She admits that there's something generational about avoiding labels, and her intention to "move around in her spare time" is adamant.
Her music has flamenco overtones, like Otra lugar and Tonada de la luz, but in the latter her influence comes from the Venezuelan songs that her father taught her. She also has contemporary R&B beats, pop blasts, dark vibes and is influenced by punchy beats like New In Town. She grew up "listening to such varied music" that she lives it naturally, but "too informed, where in all artistic expression the constant miscegenation of cultures is noticeable", it seems to reflect a "hyperconnection". ' generation. ".
She is not surprised when they compare her with artists like María José Lergo. And, of course, she experiments with audio editing software because she "loves the sound" of her music and it "fits." "I can sing, I can tune, and I only use reverb live," she says, but she uses instruments like Auto-Tune and Melodyne "creatively." "When even Pablo Alborán argues to 'attack' TikTok," she said, "it is stupid and anti-evolutionary to continue doing the same as before," she abandoned him.