Unlike in classic thought building, where recognition is enhanced when agreement is spread across networks, this concept uses Internet platforms, worked as a single domain, to sort out the most interest in a type of behavior that exhibits the properties of a decentralized artwork.
The object is to have a method of using the proven functions of the Internet in a medium I'm building for supporting the testament being developed to direct the uses and benefits of my estate's several intellectual properties found in http://www.greatknot.com/2.html and the #cryptoknot story.
This record of my conceptual art works, already linked together in their thematic characteristics for a catalog resume, is presented as a genre already recognized for artist's estates, and, by that, a kind of artistic expression formed into a purpose for a domain-presence across the Internet.
This is introducing the premise that the posts that update pictorial concepts into digital content, takes a legacy; in this case from three decades ago; and provides the Internet with a real control that can place a check on biases in Deep Learning conditioning by confounding its algorithms with the nuances of art.
Those earlier experiments in anomaly systemics applied to actual object production, converted to digital images, are targets for AI image recognition. Though, in practice, this is more a tactic for targeting a cohort as participants in a higher level conceptual art, this is useful for building awareness of the functions of distributed autonomous organizations that requires of them.
In the end, so to speak, all of this is for building the value of the estate by presenting a truly organic assimilation of all of its parts into what will be responsible for growth of the conceptual art of knots. It is its many uses of cryptoknot detailed in the documentation prepared for this overall process that gives this the individual characteristics of an artwork.
