The starting point for anyone who enjoys photography is primarily observation. And although we are inherently very visual beings who don't pay attention to the details of our surroundings, that's why, as a photographer, I develop the ability to see everything from different perspectives—or at least that's what I've been doing for the past 17 years. Before, when I stopped taking photos, I was limited to what I saw in the process, but now everything has visual, aesthetic, and inherent meaning for me.
Because it's not all about seeing something that might be beautiful; it's also about giving it form and playing with tones, lighting, and contrast. It's also about focusing on those small details that can make a subject stand out more. That's also part of the dynamics and harmony of photography, regardless of the style, whether it's street photography, architectural photography, or any other.
Today I'm sharing this visual approach with this series, which showcases divided tones, warm tones, contrasts, silhouettes, and an appreciation for natural, harmonious hues. It's my encounter with this entire visual environment.
All photographs are my own.
