Our version is an oportunity for lots of soloists. They all get an oportunity to solo. Btw, I'm not soloing all the time or anything. It's called bass guitar, walking bass, two feel, and ambiguous chord charts. It's my job to invent bass parts 50 - 75% of the time. Maybe if I was a stronger reader, they would have more challenging written parts, but for now. They want me to make it up. No complaints from all the non-bass players.
This is a great version with big band and a singer, Shirley Horn: “Let Me Love You”.
We held this on back for that outdoor concert. There are some song parts that needed more time. I'm glad. I want to read notes.
Did you see mistakes? Do you thing I need more tri-tone substitutions? Did you like the feel? Did it rush or drag?
Sup dew?!?!?! Hit me back!
dang
is very very different. I make a variety of music for Tetrahedroseph music collection. Lots of Reggae, DnB, EDM, Experimental, Jazz.... right?
I used #iPhononly in the early days and then now I share the creativity via a laptop also. My interface is Presona iTwo and my mics and C1000s, SM81, and a Sure BG 1.1.
Tetrahedroseph music features #steeldrums, #thebrokenyellowguitar, #bassguitar, #percussion and sometimes #vocals.
Tetrahedroseph's Discography: https://tetrahedroseph.bandcamp.com/music
Merchandise: https://tetrahedroseph.bandcamp.com/merch
Search for Tetrahedroseph on many other music platforms. https://share.amuse.io/PTe4E7_4ji1Y
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